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Newswire archives are delayed by two weeks. The CLMP Newswire Table of Contents for August 15, 2002 (Volume 2, Number 15)
PERUGIA PRESS DEVOTES SIX YEARS TO PUBLISHING WOMEN WRITERS
Susan Kan, Publisher and Editor of Perugia Press (
http://www.perugiapress.com),
is always asked the same question: why publish only women? "The main reason is
that women are still very much underrepresented in literature," says Kan. She
also says, "I tend to read women writers more they're just more to my personal
taste." In fact, it was a long-ignored female poet that caught Kan's eye and
gave her the impetus to start the press. Kan couldn't understand why the
poetry of Gail Thomas had failed to find a publisher. "She's a wonderful
writer, and I saw the shame of people not having the opportunity to read her
work," says Kan. So she took matters into her own hands, and in 1997 her press
debuted with Thomas' collection Finding the Bear.
The book has since sold out, and Kan says reader response has been tremendous.
Since then, Perugia Press -- named for a town in Italy -- has published five
more books. Kan has been committed to publishing women writers at the beginning
of their careers; she also believes that it's her job to give the writers as
much say as they want in the creation of their books. With limited funds for
marketing and advances, Kan says it's the least she can do for the writers. "I
really want each poet to love her book," says Kan. Budget constraints limit
flashy four-color covers, but Kan says all of her writers and those who buy the
books are impressed by the look and feel of them. "I'm proud of the covers," says
Kan. "They're beautiful books."
Kan says it costs about $3,000 to make each book and another $2,000 for postage
and publicity. But because Perugia is under the fiscal sponsorship of the
non-profit organization Fund for Women Artists in Western Massachusetts, it
is able to keep costs down by sharing the use of equipment and receiving charitable
contributions. Nevertheless, fiscal constraints have forced her, like so many other
small presses, to institute a contest in order to keep the press in the black.
"We just started it in the beginning of August," says Kan. She sees them as a
chance for presses to stay alive in lean times and an opportunity for new writers
to gain exposure. On the other hand, she admits that contest entry fees are a
limitation for many.
Since Kan just started her contest a few weeks ago, the jury is still out on
whether it will help in the long run. But Kan is hopeful. She sees her job as
not about making money but about supporting women writers and bringing poetry
to a wider audience. "There's nothing like taking a manuscript and turning it
into a book," says Kan. And even more rewarding for her is when the book finally
makes into the hands of her readers. "It's exciting to convert people to poetry.
That's part of my mission, to publish work that's enjoyable, that's not
inaccessible or highly referential," says Kan.
TWO INDIE PRESSES CELEBRATE RECENT AWARD-WINNING BOOKS
Ken Lamberton was an award-winning high school biology teacher with a wife
and a child when he ran away with a 14 year-old student. Later convicted as
a sex-offender, he spent 12 years in prison in the Arizona desert. During
his incarceration, he began to observe nature on its most minute level and
draw conclusions about the social fabric of prison life. The result is
Wilderness And Razorwire: A Naturalist's Observations from Prison, published
by San Francisco-based Mercury House (
http://www.mercuryhouse.org).
According to Executive Director Kirsten Janene-Nelson, Lamberton began writing
the book through a writing-in-the-prisons program headed by Richard Shelton.
He approached the press in January of 2000 from prison, and the book was
published while he was still serving his term. "People find it controversial.
It is controversial. But I think Ken's love of nature and his gentle tone and
obvious remorse help to ease the controversy a great deal," says Janene-Nelson.
Such controversy didn't stop the book, funded in part by a Lannan Foundation
grant, from winning this year's John Burroughs Association Annual Award for
outstanding nature writing. The award, given annually since 1926, honors books
that combine scientific accuracy, firsthand fieldwork, and creative natural
history in the U.S. It's also a first for Mercury House, which for the past
17 years has concentrated on literary fiction.
From prison, we move to a private garden in Warwick, New York for another
award-winning book published by an indie publisher, Codhill Press. Pacem in
Terris: A Love Story by Frederick Franck recently won an award from
Spirituality & Health magazine as one of the 50 best spiritual books published last year.
(Read a review at
http://www.spiritualityhealth.com/newsh/items/bookreview/item_2719.html).
The 93 year-old Franck wrote Pacem in Terris after he and his wife converted an
dilapidated 18th Century water mill into a private garden and opened it up for
the private services of various religious traditions. The book details Franck's
34 years of converting the property into a sacred sight, combining art and nature
to provide a spiritual sanctuary for religious visitors. "The book is lovely,"
says Codhill Press Marketing Manager Megan Whilden. "Franck is still actively
writing, and his language is quite beautiful."
Codhill Press (http://www.codhill.com)
was founded by Parabola magazine Editor
David Applebaum in 2000. According to Whilden, the mission of the press is to
publish works -- mostly poetry and creative nonfiction -- of the highest
spiritual and literary quality. The approach has proven successful, as
Codhill put out the award-winning Pacem in Terris in its first season.
INTERNATIONALLY-MINDED WHITE PINE PRESS NEARS 30
Back in 1973, Dennis Maloney saw the way publishing was going and didn't
like the looks of it. From his view, there were many voices not heard in
America -- voices from other cultures and countries. At the same time,
he had begun translating literature, mostly Spanish and Japanese. Together,
these two observations provided Maloney with enough incentive to launch a
literary press and publish small poetry chapbooks.
30 years later, White Pine Press is a self-sustaining non-profit that publishes
10 books a year, thanks to NEA grants and money from the New York State
Council of the Arts. Except for a concerted effort to expand his list to
include fiction and essays, Maloney is proud to say that he has maintained
the overall mission of the press. The fact that half of the books the press
publishes are works in translation supports Maloney's claim. Not only is
White Pine impressive for its continual commitment to publishing works in
translation, but its list includes Nobel Prize Laureates William Golding,
Juan Ramon Jimenez, Gabriela Mistral, and Pablo Neruda.
Maloney also works hard to make a range of international voices available
in English. The Secret Weavers Series, edited by Marjorie Agosin, is
devoted to publishing the works of Latin American women writers. "There
are a tremendous amount of women writing in Latin America that are not
even being heard in their own country, let alone America," says Maloney.
"The series has had very good critical success." White Pine also has a
Korean Voices Series. Supported in part by the Korea Literature
Translation Institute and the Daesan Foundation, the series publishes
two new titles every year. And the press has recently focused on
publishing work from Slovenia, Sarajevo, and other countries that
were once part of the former Soviet Union.
White Pine turns 30 next summer, and Maloney says there are many
events in the works to celebrate -- including special readings at
next year's AWP conference in Baltimore and special author readings
in major cities throughout the country. "The most rewarding thing
for me has been bringing deserving works of literature, especially
from other countries, to the more thoughtful literary reader," says
Maloney. You can find more information by logging on at
http://www.whitepine.org
In Brief
Literary Magazine Reviews on the Web
For the latest reviews of indie magazines, log on at
http://www.newpages.com/magazinestand/litmags/default.htm.
The most recent posting dated August 5 covers the American
Poetry Review, New Letters, Toasted Cheese, Literal Latte, and The Threepenny Review.
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