Learn more about past Firecracker Awards winners, finalists, and judges below.
2022 Firecracker Award Winners
FICTION: Pleasantview by Celeste Mohammed, published by Ig Publishing
From the Judges:
“Set in the fictional town of Pleasantview, Trinidad, Mohammed’s novel in stories–such a difficult genre to pull off–offers up an unforgettable cast of characters, each intertwined in surprising and complicated ways. Mohammed never shies away from the complications of colonialism, capitalism, and misogyny, while at the same time, leavening these subjects with humor and an impeccable ear for language and voice. Pleasantview is a great contribution to Trinidadian and Caribbean literature, as well as to independent literary fiction.”
Celeste Mohammed‘s work has appeared in The New England Review, Litmag, Epiphany, and The Rumpus, among other places. Several of the stories in Pleasantview have won awards, including the 2018 PEN/Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John D Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago, Mohammed graduated from Lesley University with an MFA in creative writing. She currently resides in Trinidad with her family.
Ig Publishing, founded in 2002, is a New York-based award-winning independent press dedicated to publishing original literary fiction and political and cultural nonfiction. Ig Publishing’s books have been reviewed in The New York Times, The Los Angeles Times, The Wall Street Journal, Oprah Magazine, the Chicago Tribune, and NPR, among many other places.
CREATIVE NONFICTION: Plastic: An Autobiography by Allison Cobb, published by Nightboat Books
From the Judges:
“Plastic: An Autobiography is an ambitious braid of industrial history, material culture, and memoir. With its formal ambition and intelligence, yoking the movement between self and world, the book demonstrates that in the micro we can hold onto the macro, and in the macro the micro accrues meaning. Plastic is wildly impressive, a thoughtful meditation on plastic but also all of life.”
Allison Cobb is the author of After We All Died (Ahsahta Press); Born2 (Chax Press); and Green-Wood, originally published by Factory School with a new edition in 2018 from Nightboat Books. Cobb’s work has appeared in Best American Poetry, Denver Quarterly, Colorado Review, and many other journals. She was a finalist for the Oregon Book Award and National Poetry Series; has been a resident artist at Djerassi and Playa; and received fellowships from the Oregon Arts Commission, the Regional Arts and Culture Council, and the New York Foundation for the Arts. Cobb works for the Environmental Defense Fund and lives in Portland, Oregon.
Nightboat Books, founded in 2004, is based in Brooklyn, New York, and seeks to develop audiences for writers whose work resists convention and transcends boundaries by publishing books rich with poignancy, intelligence and risk.
POETRY: book of the other: small in comparison by Truong Tran, published by Kaya Press
From the Judges:
“book of the other: small in comparison is a tour-de-force indictment of academic culture. Tran’s poems break silence, spotlight erasures, and act as a whistleblower to the oppressive costs and complicities of an illusory and precarious ‘inclusion’ within privileged institutional spaces. This is a book of bravery, honesty, and anger, but also a book of care and concern: one that creates a space to explore feelings of hauntedness, feelings of being hunted, while enacting its own pedagogies and poetics through a series of searing illuminations.”
Truong Tran was born in Saigon, Vietnam. He is the author of the poetry collections The Book of Perceptions (Kearney Street Workshop, 1999); Placing the Accents (1999), Dust and Conscience (2002), Within The Margin (2004), Four Letter Words (2008), all published by Apogee Press; and 100 Words, co-authored with Damon Potter (Omnidawn, 2021), as well as the children’s book, Going Home Coming Home (Lee & Low Books, 2021) and an artist monograph, I Meant to Say Please Pass the Sugar. He is the recipient of The Poetry Center Prize, The Fund For Poetry Grant, The California Arts Council Grant, and numerous San Francisco Arts Commission Grants. Tran lives in San Francisco and currently teaches at Mills College, Oakland.
Kaya Press, founded in 1994 and housed at the University of Southern California, has established itself as the premier publisher of cutting-edge Asian and Pacific Islander diasporic writers in the United States. Its diverse list of titles includes experimental poetry, noir fiction, film memoir, avant-garde art, performance pieces, “lost” novels, and everything in between. Kaya and its authors have been the recipients of numerous awards, including the Gregory Kolovakas Prize for Outstanding New Literary Press, the American Book Award, the Association for Asian American Studies Book Award, the PEN Beyond Margins Open Book Prize, the Asian American Writers’ Workshop Award, and the PEN Oakland Josephine Miles Prize.
MAGAZINES/BEST DEBUT: SISTORIES
From the Judges:
“This enchanting debut literary magazine is a radical invitation to readers to be active partners with the material. This multifaceted journal is simultaneously a collection of urgent, fierce writing; a repository of required reading lists; and a generative workbook nurturing all who pick it up to become creators. SISTORIES is pushing the bounds of what a literary magazine can be, actively working toward reimagining the American literary canon.”
SISTORIES, founded in 2020, is an interactive Black Feminist/Womanist literary magazine and community writing workshop based out of Charlotte, North Carolina. By publishing the essays, fiction, poetry, visual art, and photography of Southern Black women and femmes, pairing their narratives with interactive workbook elements, and hosting free community writing workshops, SISTORIES aims to transform the conditions and impact of oppressive systems.
MAGAZINES/GENERAL EXCELLENCE: Obsidian: Literature & Arts in the African Diaspora
From the Judges:
“A brilliant, self-possessed masterpiece of a literary journal, Obsidian is a magazine with a critical legacy that continues to convene new ideas and fearless writing from the African Diaspora. Each issue thrills in form and content, at once brand new and rooted—a testament to the editorial vision. The magazine is a singular, spectacular cultural treasure.”
Obsidian: Literature & Arts in the African Diaspora, an international, peer-reviewed, biannual literary journal/publishing platform, was founded in 1975 and was the vision of the late poet Alvin Aubert. Currently housed at Illinois State University, Obsidian is committed to publishing the highest quality innovative, hybrid, and multimedia works that push the boundaries of genre and concepts of Black art, including contemporary poetry, drama/performing arts, trans-media work, and literary criticism.
2022 Lord Nose Award Recipient
Bradford Morrow, Editor of Conjunctions
Photo credit: Lily Henderson
Bradford Morrow, Editor of Conjunctions magazine, is the recipient of the 2022 Lord Nose Award, given in recognition of a lifetime of superlative work in literary publishing.
Morrow is author of ten books of fiction, including the novels Come Sunday (Weidenfeld & Nicolson, 1988), The Almanac Branch (Simon & Schuster, 1991), Trinity Fields (Viking, 1995), Giovanni’s Gift (Viking, 1997), Ariel’s Crossing (Viking, 2002), The Diviner’s Tale (Houghton Mifflin Harcourt, 2011), The Forgers (Mysterious Press, 2014), The Prague Sonata (Atlantic Monthly Press, 2017), and The Forger’s Daughter (Mysterious Press, 2020), and a collection of stories, The Uninnocent (Pegasus Books, 2013). Co-editor of the anthologies The New Gothic (Random House, 1991) and The Inevitable: Contemporary Writers Confront Death (W. W. Norton, 2011), Morrow is the recipient of numerous awards, among them the Academy Award in Fiction from the American Academy of Arts and Letters, O. Henry and Pushcart Prizes, a Guggenheim Fellowship, and was a finalist for the PEN/Faulkner and Los Angeles Times Book Awards.
He founded and edits the acclaimed literary journal, Conjunctions, for which he received the PEN/Nora Magid Award, and has also published several volumes of poetry, including Posthumes (Cadmus Editions, 1982) and A Bestiary (Grenfell Press, 1990), as well as a children’s book, Didn’t Didn’t Do It (Putnam, 2007), in collaboration with the legendary cartoonist Gahan Wilson. His stories and essays have been widely anthologized—including in Best American Noir of the Century (Houghton Mifflin Harcourt, 2010), edited by James Ellroy and Otto Penzler—and his work has been translated into a dozen languages. In 2022, he contributed the introduction to a new edition of John Fowles’s The Collector (Suntup Editions). Professor of literature and Bard Center Fellow at Bard College, he divides his time between New York City and an old farmhouse in upstate New York. Morrow’s forthcoming novel, The Forger’s Requiem (Grove Atlantic), will complete his bibliomystery series, the Forgers Trilogy.
Read more about Bradford Morrow, Conjunctions, and the Lord Nose Award.
2022 Firecracker Award Finalists
Fiction
Farthest South and Other Stories by Ethan Rutherford, published by A Strange Object
The House of Rust: A Novel by Khadija Abdalla Bajaber, published by Graywolf Press
Householders by Kate Cayley, published by Biblioasis
Pleasantview by Celeste Mohammed, published by Ig Publishing
The Trees: A Novel by Percival Everett, published by Graywolf Press
Creative Nonfiction
Dear Memory: Letters on Writing, Silence, and Grief by Victoria Chang, published by Milkweed Editions
Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way by Caseen Gaines, published by Sourcebooks
Migratory Birds by Mariana Oliver, translated by Julia Sanches, published by Transit Books
Names for Light: A Family History by Thirii Myo Kyaw Myint, published by Graywolf Press
Plastic: An Autobiography by Allison Cobb, published by Nightboat Books
Poetry
book of the other: small in comparison by Truong Tran, published by Kaya Press
CURB by Divya Victor, published by Nightboat Books
Phantompains by Therese Estacion, published by Book*hug Press
To Know Crush by Jennifer Jackson Berry, published by YesYes Books
Winter Phoenix: Testimonies in Verse by Sophia Terazawa, published by Deep Vellum
Magazines: Best Debut
Brink
Inverted Syntax
Islandia Journal
Nowruz Journal
SISTORIES
Magazines: General Excellence
The American Poetry Review
Bellevue Literary Review
Chicago Review
The Evergreen Review
Obsidian: Literature & Arts in the African Diaspora
2022 Firecracker Award Judges
Fiction
Donna Hemans, author of Tea by the Sea, published by Red Hen Press
Carley Moore, author of The Not Wives, published by Feminist Press
Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country, published by Feminist Press
Creative Nonfiction
Ander Monson, author of I Will Take the Answer, published by Graywolf Press
Joni Tevis, author of The World Is on Fire: Scrap, Treasure, and Songs of Apocalypse, published by Milkweed Editions
Melissa Valentine, author of The Names of All the Flowers, published by Feminist Press
Poetry
Xan Phillips, author of Hull, published by Nightboat Books
Lee Ann Roripaugh, author of tsunami vs. the fukushima 50, published by Milkweed Editions
Jillian Weise, author of Cyborg Detective, published by BOA Editions
Magazines
Lana Barkawi, Executive and Artistic Director, Mizna
Rob Greene, Publisher, Raleigh Review
Miah Jeffra, Cofounder, Foglifter Journal
2021 Firecracker Award Winners
FICTION: Where the Wild Ladies Are by Aoko Matsuda, translated by Polly Barton, published by Soft Skull Press
From the Judges
“Aoko Matsuda’s short story collection, Where the Wild Ladies Are, takes impressive risks and showcases a range of narrative engagement. Its tone can shift from poignant to hilarious to meditative, often within the same story. There’s a masterful sense of breath as the author subsumes and transforms Japanese folktales in unexpected ways.”
Aoko Matsuda is a writer and translator. In 2013, her debut book, Stackable, was nominated for the Yukio Mishima Prize and the Noma Literary New Face Prize. Her novella The Girl Who Is Getting Married was published by the UK-based Strangers Press in 2016. In 2019, her short story “The Woman Dies” was shortlisted for a Shirley Jackson Award. She has translated work by Karen Russell, Amelia Gray, and Carmen Maria Machado into Japanese.
Translator Polly Barton is a translator of Japanese literature and nonfiction, including the full-length translations Friendship for Grown-ups by Naocola Yamazaki (Strangers Press), Mikumari by Misumi Kubo (Strangers Press), and Spring Garden by Tomoka Shibasaki (Pushkin Press). She has also translated short stories for Words Without Borders, The White Review, and GRANTA. She is the recipient of the 2019 Fitzcarraldo Editions Essay Prize.
Soft Skull Press was founded in 1992 in New York City and has published works by Eileen Myles, Maggie Nelson, Noam Chomsky, Lydia Millet, Alain Mabanckou, and many more. The press’s books have been awarded numerous Lambda Literary Awards, as well as the Quill Award and the Arthur C. Clarke Award for Science Fiction, and have been finalists for the Believer Book Award and the Pulitzer Prize.
Read a full citation from the judges.
MAGAZINES/BEST DEBUT: Lucky Jefferson
From the Judges:
“This is a magazine interested in the momentum and power of diverse voices—and in creating a beautiful space in which those voices can flourish. A great read and a truly excellent teaching tool, the magazine uses discussion questions and writing prompts alongside the creative work to make space for conversation in a new way.”
Lucky Jefferson is a print and online literary journal that generates constructive and interactive conversations around poetry, art, and publishing and redefines the way journals are produced and shared. Founded in 2018, the journal aims to diversify literature by publishing poetry, flash fiction, essays, and art that highlight the voices of writers and artists identifying as Black, Indigenous, and people of color.
Read a full citation from the judges.
POETRY: The Malevolent Volume by Justin Phillip Reed, published by Coffee House Press
From the Judges:
“A dextrous and epic music, this book faces down our combative and trespassed American moment. Almost every line is meant to be repeated slowly and held aloft for its heart-stopping craftsmanship.”
Justin Phillip Reed is the author of Indecency (Coffee House Press), winner of the 2018 National Book Award in Poetry and Lambda Literary Award for Gay Poetry. He earned his BA in creative writing at Tusculum College and his MFA in poetry at Washington University in St. Louis. He is the 2019-2021 Fellow in Creative Writing at the Center for African American Poetry and Poetics and has received fellowships from the Cave Canem Foundation, the Conversation Literary Festival, and the Regional Arts Commission of St. Louis.
Coffee House Press, founded in 1972, is an internationally renowned nonprofit publisher of literary fiction, essays, poetry, and other work that doesn’t fit neatly into genre categories. The Minneapolis-based press creates new spaces for audiences and artists to interact, inspiring readers and enriching communities by expanding the definition of what literature is, what it can do, and who it belongs to.
Read a full citation from the judges.
MAGAZINES/GENERAL EXCELLENCE: Mizna
From the Judges:
“This beautiful and surprising magazine combines a strong international reach with a sense of rooted regionalism, working to create a nexus of vibrant and robust artistic intersection. Singing, emotionally compelling, intentional, and wrought, this is a magazine that is deeply alive, and we are made more alive by reading it.”
Mizna is a critical platform for contemporary literature, art, film, and cultural programming centering the work of Arab and Southwest Asian and North African artists. Since the organization’s founding in 1999, Mizna has published 38 issues of Mizna: Prose, Poetry, and Art Exploring Arab America, presenting more than 350 authors and 32 visual artists authentically with the understanding that in a culture that often vilifies our communities and their various intersections, it is essential that artists have a space to speak for ourselves.
Read a full citation from the judges.
CREATIVE NONFICTION: The Names of All the Flowers by Melissa Valentine, published by Feminist Press
From the Judges:
“In this stunning debut, Melissa Valentine traces an unforgettable narrative of growing up the daughter of a white Quaker man and his Black Southern wife. This is a memoir filled with grief and tenderness as it keenly navigates its way around her compelling devotion to her older brother, powerfully piecing together how tragedy could befall this community in the first place.”
Melissa Valentine is a writer from Oakland, California. She received a BA from Sarah Lawrence College and an MFA in creative writing from Mills College. She has been a fellow at the San Francisco Writers’ Grotto. Her work has appeared in Jezebel, Guernica, Apogee Journal, and elsewhere and has received honorable mentions from Glimmer Train and the Ardella Mills Nonfiction Award.
Feminist Press publishes books that ignite movements and social transformation, seeking to champion intersectional and nuanced works that spark much-needed dialogue and move the feminist conversation forward. Founded in 1970 and based in New York City, it lifts up insurgent and marginalized voices from around the world to build a more just future.
Read a full citation from the judges.
2021 Lord Nose Award
RECIPIENT: Charles Alexander & CHAX Press
Founded in 1984 by Charles Alexander, CHAX Press strives to create unique book arts editions to explore the relationship between book forms and contemporary poetry and to make challenging and innovative contemporary writing available to the public. In addition to publishing nearly 250 books, CHAX Press has also sponsored readings, multi-art events, symposia and small conferences, educational projects, podcasts, and more, in an attempt to increase the impact of poetry in our lives.
Charles Alexander is the author of six books of poetry, most recently AT the Edge OF the Sea: Pushing Water II (Singing Horse Press) and Pushing Water (Cuneiform Press), as well as numerous chapbooks, including Some Sentences Look for Some Periods (Red Leaves Textile Series). Pushing Water III is forthcoming from Cuneiform Press. Alexander has taught literature and writing at multiple universities, including Naropa University, University of Arizona, and the University of Houston-Victoria, where he directed the MFA Creative Writing Program and managed the UHV Center for the Arts from 2014 through 2018. He lives in Tucson, Arizona, with his partner, the painter Cynthia Miller.
Read more about Charles Alexander & CHAX Press, and the Lord Nose Award.
Read the Lord Nose Award citation and Charles Alexander’s acceptance speech.
2021 Firecracker Award Finalists:
Fiction
David Tung Can’t Have a Girlfriend Until He Gets Into an Ivy League College by Ed Lin, published by Kaya Press
Fiebre Tropical by Juli Delgado Lopera, published by Feminist Press
Further News of Defeat by Michael X. Wang, published by Autumn House Press
Hezada! I Miss You by Erin Pringle, published by Awst Press
Silence Is My Mother Tongue by Sulaiman Addonia, published by Graywolf Press
Silverfish by Rone Shavers, published by CLASH Books
Telephone by Percival Everett, published by Graywolf Press
Temporary by Hilary Leichter, published by Coffee House Press
When the Whales Leave by Yuri Rytkheu, translated by Ilona Yazhbin Chavasse, published by Milkweed Editions
Where the Wild Ladies Are by Aoko Matsuda, translated by Polly Barton, published by Soft Skull Press
Magazines: Best Debut
Gasher Journal
Lucky Jefferson
Midst
Subnivean
Poetry
america, MINE by Sasha Banks, published by co•im•press
DMZ Colony by Don Mee Choi, published by Wave Books
Fugitive Atlas by Khaled Mattawa, published by Graywolf Press
Homie by Danez Smith, published by Graywolf Press
The Malevolent Volume by Justin Phillip Reed, published by Coffee House Press
OBIT by Victoria Chang, published by Copper Canyon Press
Postcolonial Love Poem by Natalie Diaz, published by Graywolf Press
Salt Body Shimmer by Aricka Foreman, published by YesYes Books
Wound from the Mouth of a Wound by torrin a. greathouse, published by Milkweed Editions
Year of the Dog by Deborah Paredez, published by BOA Editions
Magazines: General Excellence
American Short Fiction
The Kenyon Review
Mizna: Prose, Poetry, and Art Exploring Arab America
New England Review
Oxford American
Raleigh Review
The Seventh Wave
World Literature Today
Creative Nonfiction
Bright Archive by Sarah Minor, published by Rescue Press
The Dragons, the Giant, the Women by Wayétu Moore, published by Graywolf Press
Grieving: Dispatches from a Wounded Country by Cristina Rivera Garza, translated by Sarah Booker, published by Feminist Press
Just Us: An American Conversation by Claudia Rankine, published by Graywolf Press
Lecture by Mary Cappello, published by Transit Books
The Names of All the Flowers by Melissa Valentine, published by Feminist Press
Nine Moons by Gabriela Wiener, translated by Jessica Powell, published by Restless Books
Pass With Care by Cooper Lee Bombardier, published by Dottir Press
Stranger Faces by Namwali Serpell, published by Transit Books
This Is One Way to Dance by Sejal Shah, published by University of Georgia Press
2021 Firecracker Award Judges
Fiction
Natanya Ann Pulley, author of With Teeth, published by New Rivers Press
Irene Yoon, Director of the LARB Publishing Workshop at the Los Angeles Review of Books
Robert Yune, author of Impossible Children, published by Sarabande Books
Creative Nonfiction
E. J. Koh, author of The Magical Language of Others, published by Tin House Books
Paul Lisicky, author of Later: My Life at the Edge of the World, published by Graywolf Press
Aimee Nezhukumatathil, author of World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments, published by Milkweed Editions
Poetry
Sarah Gambito, author of Loves You, published by Persea Books
Raquel Salas Rivera, author of while they sleep (under the bed is another country), published by Birds, LLC
Malcolm Tariq, author of Heed the Hollow, published by Graywolf Press
Magazine
Charles Flowers, Editor, BLOOM Literary Journal
Keetje Kuipers, Editor, Poetry Northwest
Marcus Wicker, Poetry Editor, Southern Indiana Review
2020 Firecracker Award Winners
FICTION: They Will Drown in Their Mothers’ Tears by Johannes Anyuru, translated by Saskia Vogel, published by Two Lines Press
From the Judges
“This exceptional novel defies categorization and investigates the many facets of terror and xenophobia through the story of a radicalized young woman.”
Johannes Anyuru is a poet, novelist, and playwright. He has published numerous books, including the novel A Storm Blew in from Paradise (World Editions, 2019). In 2017, he was awarded the August Prize for Best Fiction Book of the Year. Anyuru’s work has been likened to a mix between Nobel Laureate Thomas Tranströmer and a hip-hop MC.
Translator Saskia Vogel’s translations include work by leading female authors, such as Katrine Marçal, Carolina Ramqvist, and the modernist eroticist Rut Hillarp. Vogel’s debut novel, Permission (Coach House Books), was published in 2019.
Two Lines Press exists to give American readers the opportunity to read some of the great work from outside our borders that they would not otherwise get to see. As the barriers between cultures continue to come down and more and more authors are finding inspiration in foreign lands, there’s all the more reason for us to read the world.
CREATIVE NONFICTION: throughsmoke by Jehanne Dubrow, published by New Rivers Press
From the Judges:
“With a particular focus on fragrances, Dubrow follows her nose into the terrain of memory, but also into the relationship of scent to grief and desire, and how these emotions might be felt, understood, and smelled.”
Jehanne Dubrow is the author of six poetry collections, including most recently Dots & Dashes (Crab Orchard Series in Poetry, 2017), The Arranged Marriage (Mary Burritt Christiansen Poetry Series, 2015), and Red Army Red ( Triquarterly, 2012). She is an associate professor of creative writing at the University of North Texas.
New Rivers Press maintains a dual mission: to connect the best new and emerging writers and storytellers from across Minnesota and the world with eager audiences and to provide hands-on learning opportunities at Minnesota State University Moorhead for students interested in entering the publishing world after graduation.
POETRY (co-winner): Motion Studies by Jena Osman, published by Ugly Duckling Presse
From the Judges:
“Jena Osman’s Motion Studies defies categorization, combining science writing, dystopian (science) fiction, popular journalism, critical theory, and lyricism.”
Jena Osman’s books of poems include Corporate Relations (Burning Deck, 2014), Public Figures (Wesleyan University Press, 2012), The Network (Fence Books, National Poetry Series selection, 2010), and others. She cofounded and coedited the literary magazine Chain with Juliana Spahr from 1994-2005.
Ugly Duckling Presse is a nonprofit publisher for poetry, translation, experimental nonfiction, performance texts, and books by artists. UDP favors emerging, international, and “forgotten” writers, and its books, chapbooks, artists books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking.
POETRY (co-winner): Personal Volcano by Laura Moriarty, published by Nightboat Books
From the Judges:
“Personal Volcano is a tension between the ‘social’ and the ‘deep ecological’—encompassing of something larger and more powerful than the anthropocentric could ever admit.”
Laura Moriarty’s books include A Tonalist (Nightboat Books, 2010), A Semblance: Selected and New Poems, 1975-2007 (Omnidawn, 2007), Ultraviolet (Atelos, 2006), and others. In addition to having taught at Naropa University and Mills College, she was the deputy director of Small Press Distribution.
Nightboat Books seeks to develop audiences for writers whose work resists convention and transcends boundaries by publishing books rich with poignancy, intelligence, and risk.
MAGAZINES: BEST DEBUT: Porter House Review
From the Judges:
“Porter House Review publishes well-crafted prose and verse that is attentive to form and captivating. The journal demonstrates inclusivity, publishing works by writers from a wide range of backgrounds and exploring expansive themes.”
Porter House Review is an online literary journal produced in conjunction with Texas State University’s MFA program in Creative Writing. Inspired by the legacy of Katherine Anne Porter, the journal seeks to publish bold and incisive writing that interrogates not only the complexities of the human experience, but also the prevailing social challenges of our time.
MAGAZINES: GENERAL EXCELLENCE: Two Lines Journal
From the Judges:
“With a mission to ‘celebrate the art of translation,’ Two Lines Journal highlights the exceptional work of both writers and translators, offering Anglophone readers a rare chance to connect with stories and ideas across cultures.”
Two Lines Journal, published in conjunction with Two Lines Press, exists to give American readers the opportunity to read some of the great work from outside our borders that they would not otherwise get to see. As the barriers between cultures continue to come down and more and more authors are finding inspiration in foreign lands, there’s all the more reason for us to read the world.
2020 Lord Nose Award
RECIPIENT: W. Paul Coates & Black Classic Press
Since it was founded in 1978 by W. Paul Coates, Black Classic Press has specialized in republishing obscure and significant works by and about people of African descent. Black Classic Press has issued more than 135 titles and is still going strong, with four titles forthcoming in 2020 and 2021, plus twelve more books acquired from The Majority Press. Its best-selling titles include important classics, 100 Years of Lynching by Ralph Ginsburg, Why Should White Guys Have All the Fun by Reginald F. Lewis, Black Man of the Nile by Yosef Ben-Jochannon, When We Ruled by Robin Walker and Seize the Time by Bobby Seale.
Coates is a graduate of Atlanta University’s School of Library and Information Studies (1980) and SDC/Antioch University (1979). The coeditor of Black Bibliophiles and Collectors: Preservers of Black History (Howard University Press, 1990), Coates is an active Black bibliophile and collector of cultural artifacts. As a former African American Studies reference and acquisition librarian at Howard University’s Moorland-Spingarn Research Center, Coates was responsible for collection development of African American books and related materials. His responsibilities included the selection and purchase of rare and non-rare items. In addition, he served as adjunct instructor of African American Studies at Sojourner-Douglass College, Baltimore, MD. He formerly owned and operated The Black Book (1972-1978), a Baltimore-based bookstore.
Read more about W. Paul Coates & Black Classic Press, and the Lord Nose Award.
2020 Firecracker Award Finalists:
Fiction
Flowers of Mold by Ha Seong-nan, translated by Janet Hong, published Open Letter Books
Glory and Its Litany of Horrors by Fernanda Torres, translated by Eric M. B. Becker, published Restless Books
The Incompletes by Sergio Chejfec, translated by Heather Cleary, published by Open Letter Books
Last of Her Name by Mimi Lok, published by Kaya Press
The Not Wives by Carley Moore, published by The Feminist Press
Spider Love Song and Other Stories by Nancy Au, published by Acre Books
Tonic and Balm by Stephanie Allen, published by Shade Mountain Press
The Wind That Lays Waste by Selva Almada, translated by Chris Andrews, published by Graywolf Press
Creative Nonfiction
Axiomatic by Maria Tumarkin, published by Transit Books
Blackfishing the IUD by Caren Beilin, published by Wolfman Books
Codependence by Amy Long, published by Cleveland State University Poetry Center
Hatred of Translation by Nathanaël, published by Nightboat Books
Knitting the Fog by Claudia D. Hernández, published by The Feminist Press
Setting the Wire: A Memoir of Postpartum Psychosis by Sarah C. Townsend, published by The Lettered Streets Press
Socialist Realism by Trisha Low, published by Coffee House Press
We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan by Lou Sullivan, edited by Ellis Martin and Zach Ozma, published by Nightboat Books
White Flights by Jess Row, published by Graywolf Press
Poetry
Dunce by Mary Ruefle, published by Wave Books
SLINGSHOT by Cyrée Jarelle Johnson, published by Nightboat Books
while they sleep (under the bed is another country) by Raquel Salas Rivera, published by Birds, LLC
Woodland by Knox Gardner, with music by Aaron Otheim, published by Entre Ríos Books
Magazines: Best Debut
Aquifer: The Florida Review Online
Protean
Magazines: General Excellence
American Short Fiction
The Common
Ecotone
Foglifter Journal
The Kenyon Review
The Literary Review
New England Review
SLICE Magazine
Under a Warm Green Linden
Water~Stone Review
2020 Firecracker Award Judges
Fiction
Bonnie Chau, author of All Roads Lead to Blood, published by 2040 Books
Melanie Fleishman, book buyer for the Center for Fiction, BookHampton, and Arcadia Books
Alex Gilvarry, author of Eastman Was Here, published by Penguin Books
Creative Nonfiction
Lacy M. Johnson, author of The Reckonings: Essays, published by Scribner
Douglas Martin, author of Acker, published by Nightboat Books
Cristina Rodriguez, bookseller at Deep Vellum Books
Poetry
Thom Donovan, author of Withdrawn, published by Compline
Celina Su, author of Landia, published by Belladonna*
Simone White, author of Dear Angel of Death, published by Ugly Duckling Presse
Magazine
Laura Cogan, Editor, Zyzzyva
Ruben Quesada, Poetry Editor, AGNI
Alexandra Watson, Executive Editor, Apogee Journal
2019 Firecracker Award Winners
FICTION: Little Fish by Casey Plett, published by Arsenal Pulp Press
Arsenal Pulp Press, established in 1971 and located in Vancouver, Canada, publishes literature that engages and challenges readers, and that asks probing questions about the world. Genres include literary fiction and nonfiction, graphic novels, and children’s and young adult titles, as well as books on social issues and gender studies and LGBTQ+ and BIPOC literature.
Casey Plett is the author of the novel Little Fish (Arsenal Pulp Press), winner of the 2019 Amazon Canada First Novel Award, and the Lambda Literary Award–winning story collection A Safe Girl to Love (Topside Press, 2014). She is also coeditor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers (Topside Press, 2017). She lives in Windsor, Ontario, Canada.
From the Judges:
“In Little Fish, Casey Plett brings us fully into the world of her characters and lets us feel the fateful inevitability of their choices. Plett’s protagonist, Wendy, is searching for a hidden trans lineage in her own family tree. This heroic quest is at once deeply private and an enormously helpful way to think about what it means for any of us to come of age and become heroes of our own lives.”
CREATIVE NONFICTION: The Leftovers by Shaelyn Smith, published by Cleveland State University Poetry Center
Cleveland State University Poetry Center was established in 1962 to promote poetry through readings and community outreach. In 1971, it expanded its mission to become a national nonprofit independent press under the auspices of the CSU Department of English and has since published over 200 titles. It currently publishes three to five books a year of poetry, essays, and works in translation, and runs the Lighthouse Reading Series in Cleveland. It also serves as an educational resource for students in the Northeast Ohio MFA program to learn literary editing and publishing through graduate assistantships and internships, and since 2018 has hosted the Anisfield-Wolf Fellowship in Writing and Publishing, which aims to promote diversity in literary publishing and programming.
Shaelyn Smith’s The Leftovers was selected by Renee Gladman as the winner of Cleveland State University Poetry Center’s 2017 Essay Collection Competition and was featured in “The Genre of Resistance: Debut Literary Nonfiction of 2018” in Poets & Writers Magazine. Smith’s writing has been published in Essay Daily, storySouth, Sonora Review, The Rumpus, and Forklift, Ohio. She lives in Auburn, Alabama.
From the Judges:
“The strength and poignancy of Shaelyn Smith’s The Leftovers rests in the work itself not being easily categorized. Emerging out of a critical engagement—one might even say a fixation—with Judy Chicago’s iconic feminist art installation The Dinner Party housed at the Brooklyn Museum, The Leftovers encapsulates feminist testimony, art criticism, and personal discovery while rendering the visual as tactile and vivid. Smith goes well beyond asking who has been brought to the table and who has been left out—she erects platforms for voices and perspectives, both historical and contemporary, that speak to how historical recovery can also be a trap. The viewpoints she brings together offer universal truths held by individuals and community through a tightness in structure, voice, and overall composition. With prose that encourages a kind of infectious curiosity, Smith cracks open what writing about art can mean for how we read the world around us. The Leftovers is singularly engaging and as essential to our shelves as it is to our everyday dialogue.”
POETRY: City of the Future by Sesshu Foster, published by Kaya Press
Kaya Press, founded in 1994, is a nonprofit publishing house run by a group of dedicated writers, artists, readers, and lovers of books working together to publish the most challenging, thoughtful, and provocative literature being produced throughout the Asian and Pacific Island diasporas. Now based in Los Angeles, Kaya Press continues to push boundaries by publishing literature, historically overlooked books from the Asian Diaspora, and books on art and film.
Sesshu Foster was raised in East Los Angeles and earned his MFA from the Iowa Writers’ Workshop. Along with City of the Future, he is the author of the poetry collections World Ball Notebook (City Lights, 2009), which won an American Book Award and an Asian American Literary Award for Poetry, and City Terrace Field Manual (Kaya Press, 1996). He is also the author of the novel of speculative fiction Atomik Aztex (City Lights, 2005), which won the Believer Book Award. Foster has taught in East LA for 25 years as well as at the University of Iowa, the California Institute for the Arts, Naropa University’s Jack Kerouac School of Disembodied Poetics, Pomona University, and the University of California, Santa Cruz. He lives in Los Angeles.
From the Judges:
“Sesshu Foster’s City of the Future forces readers to rethink poetry, postcards, and the present by asking us to reimagine how we use language but also how language is used upon us. His work is one of utmost service. On a neighborly and communitarian level, Foster’s work documents and challenges injustice. Beginning with ‘in the infinite city,’ the text builds image after image of sentient beings in “the city”—a space defined by its problematic (and dehumanizing) charge. City of the Future is part manifesto, part conversation/correspondence, and part elegy—this is a rare portrait of a space that is actively disappearing.”
MAGAZINES: BEST DEBUT: Aster(ix)
Aster(ix) is a feminist literary arts journal based in Pittsburgh and New York City that is committed to social justice and translation, placing women of color at the center of the conversation. Available online, Aster(ix) also publishes a series of thematic print issues.
From the Judges:
“We are honored to award Aster(ix) the prize for Best Debut in Magazines. This refreshing new publication is striking, inspiring, and smartly visionary. The judges are impressed by the commitment to editorial excellence evident in the compelling content and clean design. Commendably, the journal’s mission highlights generative experiment, recognizing the relationship between the creative interrogation of dominant discourse and effective social change. Moreover, leading the charge to nurture and publish works by artists and writers committed to social change with particular attention to works by women of color working on the margin of their discipline, Aster(ix) serves as a remarkable beacon for our times and beyond. This is an impactful and stunning debut, charting and accomplishing necessary work in the field.”
MAGAZINES: GENERAL EXCELLENCE: ZYZZYVA
ZYZZYVA publishes three issues of fiction, nonfiction, poetry, and art each year. In every issue, the journal provides an overview of contemporary arts and letters, with a vibrant mix of established talents and new voices. The journal is dedicated to preserving room for discovery and experimentation, both through fostering emerging talents and by making space for established writers working in new forms. Though ZYZZYVA’s purview is national (and beyond), its San Francisco roots shape the journal’s perspective, and its longtime focus on highlighting West Coast writers and artists remains essential to its mission. In 2020, ZYZZYVA will celebrate 35 years of independent publishing.
From the Judges:
“We are honored to award San Francisco-based print publication ZYZZYVA the prize for General Excellence in Magazines. Since its founding in 1985, ZYZZYVA has been committed to publishing with care and curatorial verve all genres of literature—including poetry, fiction, nonfiction, and interviews—from writers known and emerging, as well as an impressive range of visual art. Inclusive, equitable, and visionary, ZYZZYVA has impressed the judges with its unfailing standards of quality, scope, and its consistent contribution to and support of a broad spectrum of literature and literary conversation. They are an outstanding and longstanding example of the vital role of literary magazines and journals in the world.”
2019 Lord Nose Award
LEE ANN BROWN & TENDER BUTTONS
The third annual Lord Nose Award, given in memory of Jonathan Williams, publisher of the legendary literary press The Jargon Society, in recognition of a lifetime of superlative small press publishing, was presented to Tender Buttons, founded by poet Lee Ann Brown in 1989 with the aim of publishing the best in experimental women’s writing.
Read CLMP Board Member David Wilk’s remarks about Tender Buttons.
2019 Firecracker Award Finalists
FICTION
A Bright and Pleading Dagger by Nicole Rivas, published by Rose Metal Press
All Roads Lead to Blood by Bonnie Chau, published by Santa Fe Writers Project
Disoriental by Négar Djavadi, translated by Tina Kover, published by Europa Editions
Jonny Appleseed by Joshua Whitehead, published by Arsenal Pulp Press
Mina by Kim Sagwa, translated by Bruce and Ju-Chan, published by Two Lines Press
Strawberry Fields by Hilary Plum, published by Fence Books
The Taiga Syndrome by Cristina Rivera Garza, translated by Suzanne Jill Levine and Aviva Kana, published by Dorothy, a publishing project
That Which Girls Conjure Will Help Them Survive by Kristen Stone, published by Guillotine
Trick by Domenico Starnone, translated by Jhumpa Lahiri, published by Europa Editions
CREATIVE NONFICTION
A Handbook of Disappointed Fate by Anne Boyer, published by Ugly Duckling Presse
An Imperfect Rapture by Kelly Beard, published by Zone 3 Press
Before They Left Us by Rosemary Ann Davis, self-published by Old Road Publishing
False Calm: A Journey Through the Ghost Towns of Patagonia by María Sonia Cristoff, translated by Katherine Silver, published by Transit Books
Letters from Max: A Book of Friendship by Sarah Ruhl and Max Ritvo, published by Milkweed Editions
Mating in Captivity: A Memoir by Helen Zuman, published with She Writes Press
No Archive Will Restore You by Julietta Singh, published by Punctum Books
To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight by Terrance Hayes, published by Wave Books
POETRY
Baby, I Don’t Care by Chelsey Minnis, published by Wave Books
Body & Glass by Rodney Koeneke, published by Wave Books
Crosslight for Youngbird by Asiya Wadud, published by Nightboat Books
Dissolve by Sherwin Bitsui, published by Copper Canyon Press
GOOD MORNING AMERICA I AM HUNGRY AND ON FIRE by jamie mortara, published by YesYes Books
Milk by Dorothea Lasky, published by Wave Books
Post Traumatic Hood Disorder by David Tomas Martinez, published by Sarabande Books
The Girls Are Coming Out of the Woods by Tishani Doshi, published by Copper Canyon Press
You Will Always Be Someone From Somewhere Else by Dao Strom, translated by Ly Thuy Nguyen, published by AJAR Press
MAGAZINES: BEST DEBUT
Aquifer: The Florida Review Online
The Second Shelf: A Quarterly of Rare Books and Words by Women
MAGAZINES: GENERAL EXCELLENCE
2019 Judges
FICTION
Andrea Lawlor is a fiction editor for Fence and the author of Paul Takes the Form of a Mortal Girl (Rescue Press, 2017) & Position Papers (Factory Hollow Press, 2016).
Veronica Santiago Liu is founder and general coordinator of Word Up Bookshop/Librería Comunitaria. Previously, she was a Contributing Editor at Seven Stories Press, where she worked as Managing than Senior Editor for more than a decade.
Robert Pollock is PEN America’s Prison Writing coordinator. Additionally, Robert is an ongoing participant in Rehabilitation Through the Arts, Musicambia, Refoundry, and Carnegie Hall’s Musical Connections Advisory Committee. He is also a visual artist/singer-songwriter.
CREATIVE NONFICTION
Jennifer Baker is a publishing professional, writer, creator/host of the Minorities in Publishing podcast, contributing editor to Electric Literature. She is the editor of the short story anthology Everyday People: The Color of Life (Atria Books, 2018).
Jeff Deutsch is the Director of the Seminary Co-op Bookstores, Inc., which includes 57th Street Books. Other than a two-year stint as a Live-Work Artist at the Djerassi Resident Artist Program, Deutsch has spent his entire career in bookselling.
Jyothi Natarajan is Editorial Director at the Asian American Writers’ Workshop. Previously, she was an editor at The Caravan magazine and The New Press. Her writing has appeared in the anthology Good Girls Marry Doctors (Aunt Lute, 2016).
POETRY
Farrah Field is a co-founder of Berl’s Brooklyn Poetry Shop.
erica kaufman is the author of POST CLASSIC (forthcoming Roof Books, 2019), INSTANT CLASSIC (Roof Books, 2013), and censory impulse (Factory School, 2009). kaufman is the Director of Bard College the Institute for Writing & Thinking and where she is also Visiting Assistant Professor of Humanities.
Dean Rader is a poet and author of Works & Days, Landscape Portrait Figure Form (Omnidawn, 2014). He is a professor at the University of San Francisco.
MAGAZINES
Maribeth Batcha is the Publisher and Co-founder of One Story.
Poet, sound artist, and scholar, Duriel E. Harris is an associate professor of English in the graduate creative program at Illinois State University and the Editor of Obsidian: Literature and Arts in the African Diaspora. She is author of three print poetry collections including No Dictionary of a Living Tongue (2017), winner of the Nightboat Poetry Prize.
Katie Raissian is Publisher and Editor of Stonecutter, and a literary fiction and nonfiction editor at Grove Atlantic.
2018 Firecracker Award Winners
FICTION: An Unkindness of Ghosts by Rivers Solomon, published by Akashic Books
CREATIVE NONFICTION: Dreaming of Ramadi in Detroit by Aisha Sabatini Sloan, published by 1913 Press
POETRY: Unaccompanied by Javier Zamora, published by Copper Canyon Press
MAGAZINES: BEST DEBUT: Flock Literary Journal
MAGAZINES: GENERAL EXCELLENCE: One Story
LORD NOSE AWARD: Bobby and Lee Byrd & Cinco Puntos Press
2018 Firecracker Award Finalists
FICTION
Empire of Glass by Kaitlin Solimine, published by Ig Publishing
I’m So Fine: A List of Famous Men & What I Had On by Khadijah Queen, published by YesYes Books
Monolith by Yanick Lahens, translated by Emily Gogolak, published by Deep Vellum Publishing
North Station by Bae Suah, translated by Deborah Smith, published by Open Letter
Paul Takes the Form of a Mortal Girl by Andrea Lawlor, published by Rescue Press
The Passion of Woo & Isolde by Jennifer Tsung, published by Rose Metal Press
The Right Way to be Crippled and Naked, edited by Sheila Black, Michael Northen, Annabelle Hayes, published by Cinco Puntos Press
Tom o’Vietnam by Baron Wormser, published by New Rivers Press
CREATIVE NONFICTION
Asker by Douglas Martin, published by Nightboat Books
Caca Dolce: Essays from a Lowbrow Life by Chelsea Martin, published by Soft Skull Press
In the Province of the Gods by Kenny Fries, published by The University of Wisconsin Press
Pain Woman Takes Your Keys, and Other Essays from a Nervous System by Sonya Huber, published by University of Nebraska Press
Patagonian Road by Kate McCahill, published by Santa Fe Writers Project
Surviving Jersey: Danger and Insanity in the Garden State by Scott Loring Sanders, published by Outpost 19
The Flowers in My Mother’s Name by Philip Harris, published by Nomadic Press
There You Are: Interview, Journals and Ephemera by Joan Kyger and edited by Cedar Sigo, published by Wave Books
POETRY
blud by Rachel McKibbens, published by Copper Canyon Press
Field Theories by Samiyah Bashir, published by Nightboat Books
I know Your Kind: Poems by William Brewer, published by Milkweed Editions
Silk Poem by Jen Bervin, published by Nightboat Books
The Happy End / All Welcome by Monica de la Torre, published by Ugly Duckling Presse
While Standing in Line for Death by CAConrad, published by Wave Books
MAGAZINES: BEST DEBUT
Aquifer: The Florida Review Online
Better than Starbucks
drDoctor
Erizo: A Journal of the Arts
Neologian
Paper Brigade
Poet’s Country
The Wax Paper
True Story
Under a Warm Green Linden
MAGAZINES: GENERAL EXCELLENCE
Conjunctions
Creative Nonfiction
Ecotone
Full Stop
Georgia Review
New England Review
Poetry
Words Without Borders
Zyzzyva
2018 Judges
FICTION: Sarah Mickelm, Jay Nicorvo, Jess Pane
CREATIVE NONFICTION: Luis Jaramillo, Marie Mitsuki Mockett, Geo Ong
POETRY: Mahogany Browne, Cassie Duggan, Christopher Soto
MAGAZINES: Clarence Reynolds, Jodie Stanley, Craig Morgan Teicher
2017 Firecracker Award Winners
FICTION: Eve Out of Her Ruins by Ananda Devi, translated by Jeffrey Zuckerman, published by Deep Vellum Publishing
CREATIVE NONFICTION: Calamities by Renee Gladman, published by Wave Books
POETRY: Buck Studies by Douglas Kearney, published by Fence Books
MAGAZINES: BEST DEBUT: Bennington Review
MAGAZINES: GENERAL EXCELLENCE: Prairie Schooner
LORD NOSE AWARD: Bruce McPherson & McPherson & Co.
2017 Firecracker Award Finalists
FICTION
Blood of the Dawn by Claudia Salazar, translated by Elizabeth Bryer, published by Deep Vellum Publishing
Chronicle of the Murdered House by Lucio Cardoso, translated by Margaret Jull Costa & Robin Patterson, published by Open Letter
Gesell Dome by Guillermo Saccomanno, translated by Andrea G. Labinger, published by Open Letter
Into the Sun by Deni Ellis Béchard, published by Milkweed Editions
Nine Island by Jane Allison, published by Catapult
Say Something Nice About Me by Sara Schaff, published Augury Books
The Measure of Darkness by Liam Durcan, published by Bellevue Literary Press
The Natural Way of Things by Charlotte Wood, published Europa Editions
The Port-Wine Stain by Norman Lock, published by Bellevue Literary Press
CREATIVE NONFICTION
A Loaded Gun: Emily Dickinson for the 21st Century by Jerome Charyn, published by Bellevue Literary Press
Coast Range: A Collection from the Pacific Edge by Nick Neely, published by Counterpoint Press
Diving Makes the Water Deep by Zach Savic, published by Rescue Press
My Private Property by Mary Ruefle, published by Wave Books
Proxy: Essays Near Knowing {A Reckoning} by Brian Blanchfield, published by Nightboat Books
Sublime Physick: Essays by Patrick Madden, published by University of Nebraska Press
The Estrangement Principle by Ariel Goldberg, published by Nightboat Books
The Home Place: Memoirs of a Colored Man’s Love Affair with Nature by J. Drew Lanham, published by Milkweed Editions
The Voyager Record: A Transmission by Anthony Michael Morena, published by Rose Metal Press
POETRY
Hammer with No Master: Poems of René Char by René Char, translated by Nancy Naomi Carlson
Hardly War by Don Mee Choi, published by Wave Books
Hell Figures by E. Tracy Grinnell, published by Nightboat Books
Music for Mussolini by Nick Johnson, published by Nomadic Press
Post- by Wayne Miller, published by Milkweed Editions
Profeta Without Refuge by Raina J. León, published by Nomadic Press
Remembering Animals by Brenda Iijima, published by Nightboat Books
Sympathetic Little Monster by Cameron Awkward-Rich, published by Ricochet Editions
The Tornado Is the World by Catherine Pierce, published by Saturnalia Books
MAGAZINES: BEST DEBUT
F(r)iction
Prodigal
Springhouse Journal
The Sixpenny Review
The Timberline Review
MAGAZINES: GENERAL EXCELLENCE
A Public Space
Gettysburg Review
Gulf Coast
Kenyon Review
MAKE Literary Magazine
New England Review
Ninth Letter
One Story
Poetry
The Common
Virginia Quarterly Review
2017 Judges
FICTION: Jarrod Annis, Paul Lisicky, Pia Padrone
CREATIVE NONFICTION: Michele Filgate, Alison Gore, Alexandra Kleeman
POETRY: Anne Boyer, Camille Drummond, Patricia Spears Jones
MAGAZINES: Maribeth Batcha, Ellen Duffer, Brigid Hughes
2016 Firecracker Award Winners
FICTION: The Things We Don’t Do by Andrés Neuman, translated by Nick Caistor and Lorenzo Garcia, published by Open Letter
CREATIVE NONFICTION: The World Is on Fire: Scrap, Treasure, and Songs of Apocalypse by Joni Tevis, published by Milkweed Editions
POETRY: Garments Against Women by Anne Boyer, published by Ahsahta Press
BEST LITERARY MAGAZINE: A Public Space
2016 Firecracker Award Finalists
FICTION
American Meteor by Norman Lock, published by Bellevue Literary Press
Ciao Suerte by Annie McGreevy, published by Nouvella
Home by Leila S. Chudori, translated by John McGlynn, published by Deep Vellum Press
Medicine Walk by Richard Wagamese, published by Milkweed Editions
On the Island at the Center of the Center of the World by Elizabeth Kadetsky, published Nouvella
Pinkies by Shane Hinton, published by Burrow Press
The Listener by Rachel Basch, published by Pegasus Books
The Sleep of the Righteous by Wolfgang Hilbig, translated by Isabel Fargo Cole, published by Two Lines Press
Tran 83 by Fiston Mwanza Mujila, translated by Roland Glasser, published by Deep Vellum Publishing
CREATIVE NONFICTION
Because You Asked: A Book of Answers on the Art & Craft of the Writing Life edited by Katrina Roberts, published by Lord Horse Press
Belief Is Its Own Kind of Truth, Maybe by Lori Jakiela, published by Atticus Books
My Chinese-America by Allen Gee, published by Santa Fe Writers Project
Shader by Daniel Nester, published by 99: The Press
Solemn Pleasure by Melissa Pritchard, published by Bellevue Literary Press
Suite Vénitienne by Sophie Calle, published by Siglio Press
The Ghosts Who Travel with Me by Allison Green, published by Ooligan Press
Travels in Vermeer: A Memoir by Michael White, published by Persea Books
Wide Open: My Adventures in Polyamory, Open Marriage and Loving On My Own Terms by Gracie X, published by New Harbinger
POETRY
Bastards of the Reagan Era by Reginald Dwayne Betts, published by Four Way Books
Bright Dead Things by Ada Limón, published by Milkweed Editions
Illocality by Joseph Massey, published by Wave Books
Incorrect Merciful Impulses by Camille Rankine, published by Copper Canyon Press
Let’s Let That Are Not Yet: Inferno by Ed Pavlic, published by Fence Books
Life in a Box Is a Pretty Box by Dawn Lundy Martin, published by Nightboat Books
S O S: Poems 1961-2013 by Amiri Baraka, edited by Paul Vangelisti, published by Grove Press
Supplication: Selected Poems by John Weiners, edited by Robert Dewhurst, Joshua Beckman, and CAConrad, published by Wave Books
The Poet, the Lion, Talking Pictures, El Farolito, a Wedding in St. Roch, the Big Box Store, the Warp in the Mirror, Spring Midnights, Fire & All by C. D. Wright, published by Copper Canyon Press
What about This: Collected Poems of Frank Stanford by Frank Stanford, edited by Michael Wiegers, published by Copper Canyon Press
BEST LITERARY MAGAZINE
Gulf Coast
The Kenyon Review
MAKE Literary Magazine
Ninth Letter
One Story
Poetry
The Common
The Gettysburg Review
Virginia Quarterly Review
2016 Judges
FICTION: Brad Johnson, Yin Li, Dawn Raffel
CREATIVE NONFICTION: Claire Kirch, Kelly McMasters, Meredith Walters
POETRY: Kazim Ali, Ifeanyi Menkiti, Tim Nolan, Stephanie Strickland, Jonathon Welch
MAGAZINES: Don Lee, Ander Monson, David Martinez, Molly Rose Quinn, Clarence Reynolds
2015 Firecracker Award Winners
FICTION: Song of the Shank by Jeffrey Renard Allen, published by Graywolf Press
CREATIVE NONFICTION: Self-Portrait in Green by Marie NDiaye, published by Two Lines Press
GRAPHIC NOVEL: Beauty by Hubert & Kerascoët, published by NBM Publishing
POETRY: Sonnets: Expanded 25th Anniversary Edition by Bernadette Mayer, published by Tender Buttons Press
YOUNG ADULT: Some Boys by Patty Blount, published Sourcebooks
MAGAZINES: BEST DEBUT: Story
MAGAZINES: GENERAL EXCELLENCE: Tin House Magazine
2015 Firecracker Award Finalists
FICTION
Hum by Michelle Richmond, published by FC2, an imprint of University of Alabama Press
List by Matthew Roberson, published by FC2, an imprint of University of Alabama Press
Search for Heinrich Schlögel by Martha Bailie, published by Tin House Books
Sister Golden Hair by Darcey Steinke, published by Tin House Books
Songs for the Deaf by John Henry Fleming, published by Burrow Press
Street of Thieves by Mathias Énard, published by Open Letter Books
The Family Cannon by Halina Duraj, published by Augury Books
The Good Life Elsewhere by Vladimir Lorchenkov, published by New Vessel Press
Us Conductors by Sean Michaels, published by Tin House Books
CREATIVE NONFICTION
Loitering by Charles D’ambrosia, published by Tin House Books
The Empathy Exams by Leslie Jamison, published by Graywolf Press
The Other Side by Lacy M. Johnson, published by Tin House Books
Surrendering Oz by Bonnie Friedman, published by Etruscan Press
GRAPHIC NOVEL
All Stars by Jesse Lonergan, published by NBM Publishing
Family Ties by Eric Hobbs and Noel Tuazon, published by Rattapallax
Whitman Illuminated by Allen Crawford, published by Tin House Books
POETRY
Beast Feast by Cody-Rose Clevidence, published by Ahsahta Press
Blue Hanuman by Joan Larkin, published by Hanging Loose Press
Exclosures by Emily Abendroth, published by Ahsahta Press
Tree Line by Judy Halebsky, published by New Issues Poetry & Prose
YOUNG ADULT
A Boy Like Me by Jeannie Wood, published by 215 Ink
Hollow City by Ransom Riggs, published by Quirk Books
My So-Called Ruined Life by Melanie Bishop, published by Torrey House Press
Rebels by Accident by Patricia Dunn, published by Sourcebooks
MAGAZINES: GENERAL EXCELLENCE
6 x 6
A Public Space
Creative Nonfiction
Fence
Mosaic
2015 Judges
FICTION: Katie Freeman, Mitchell Kaplan, Hannah Tinti
CREATIVE NONFICTION: Michele Filgate, Kiese Layton, Terese Svoboda
GRAPHIC NOVEL: Eric Lorberer, Christine Monroe, Calvin Reid
POETRY: John Evans, Kimiko Hahn, Stacy Szymaszek
YOUNG ADULT: Katie Coyle, Sarah LaPolla, Jordan Nielson
MAGAZINES: Jane Freedman, Karen Gisonny, Ina Morris, Saeed Jones